Trissy's portrait was a real jewel. I mean, I don't believe it'll have any value to the galeries, like Tink's, but I'm extremely proud of the outcome. The whole technical concept came up while I was organizing things in the atelier. I found these tiny canvases I did in the third semester of the art course, when we were tutored by Yolanda Bessa. She had this huge knowledge of materials and methods, and taught us about toxic materials and a few techniques. She gave us ten easy lessons in oil painting, perhaps the only lessons in oil painting my class ever had. One of them was a technique used by old renaissance painters. The image is modelled in ochre, black and white, resulting in a monochrome yellowish image. Then, once dried, it receives all the colours applied in thin, diluted, transparent layers of paint. In my little exercise, my doodles looked like one of those watercolored photographs from the early 1900s. You know, the artist would take someone's black and white picture, then color it using watercolors. There's some kind of irreality in those colors: they're vibrant, and yet so dirty. See the way her lips and her hair shine and the way the background seems dead...
So, here you are. If the Fairy's portrait left much to be desired, I think Trissy's will make amends.